Bio 

I was around six when I saw someone play drums live for the first time. The energy, the sound, the way he hit with purpose—it just clicked. I didn’t know how or when, but I knew I wanted to do that. That moment lit a spark that’s never gone out.

Not long after, I was already taking guitar lessons—too young for the class, but keeping up just fine. By twelve, I had my first “rock” guitar and started obsessively learning songs from Spanish rock bands. Then I discovered Metallica. That was the game-changer. With no internet, no tabs, no gear—just a pair of ears and relentless curiosity—I tried to decode every riff, every groove, every detail I could.

I started a band and played whenever I could—school shows, borrowed drums, acoustic guitars, anything. It wasn’t much, but it was everything to me.

Years later, I finally got my first electric guitar and a tiny amp. It wasn’t great gear, but it opened up a whole new world. I practiced constantly, covered songs, learned from friends, and started writing my own music.

My first band, C+A+S (Ctrl + Alt + Supr), was where I wrote my earliest songs—some of which still hold up. After that, I joined two Metallica tribute bands over the years: Faraón and Vulturous. 

Along the way, I moved from being “just a guitarist” to a full-on one-person production team—writing, arranging, performing, and mixing everything myself. When forming bands got hard, I doubled down on doing it solo. That shift was critical.

I’ve followed rhythm long before I could name it. From the first crash of drums that shook me as a kid to the late-night melodies that appear uninvited, my path has been one of constant discovery—chords, bands, ideas, gear, cities, ways of writing, ways of listening.

I compose like someone traveling without a map, knowing the journey matters just as much as the destination. Sometimes distortion opens doors; sometimes it’s a single melodic line that holds me still. Some seasons are built on heavy guitars, others on silence and texture.

I’m not searching for a final version of who I am as a musician. I’d rather stay in motion—learning from each song, each session, each mistake. There’s always something new to explore—a sound, a feeling, a voice, a story—and as long as that’s true, I’ll keep creating.